A ritual vase, the hampi, is placed in the center of the Musée de plein air de la République du Niger in Niamey, during a ritual ceremony featuring possession dances. With this film, Jean Rouch continues his ethnological and cinematographic study of Songhay ritual objects. He demonstrates that, in a particular context, the transfer of a hampi vase to a museum requires the organization of a ritual ceremony to obtain the gods' approval. At the time, however, reservations about filming a possession dance for the opening of a shrine in a museum made the move "questionable from a museological point of view".
Canada,
France,
Niger
Documentary
0 minutes
1962
Jean Rouch
Office Nigérien du Film, I.F.A.N. Niamey, Rep. Niger,
ONF | NFB,
Comité du film Éthnographique

2021
8.0

1993
6.2

2020
9.0

1963
0.0

1986
6.5

1970
5.5

1926
6.6

1995
7.0

2024
0.0

1953
5.0

1966
0.0

1982
10.0

1981
6.0

2019
4.0

2021
0.0

2017
8.3

2010
0.0
1988
0.0

1977
0.0

2011
0.0